Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Here are all the paintings of William Hogarth 02

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
70550 Portrat der Graham Kinder Detail William Hogarth Portrat der Graham Kinder Detail Medium Oil on canvas
68451 Portrat der Graham Kinder, Detail William Hogarth Portrat der Graham Kinder, Detail 1742
77287 Portrat der Madam Salter William Hogarth Portrat der Madam Salter 1744(1744) Oil on canvas 76 ?? 63.5 cm (29.9 ?? 25 in) cjr
88960 Portrat des Bischofs Benjamin Hoadly William Hogarth Portrat des Bischofs Benjamin Hoadly c. 1743 Medium Oil on canvas Dimensions Deutsch: 125 x 100,5 cm cjr
90773 Portrat des Lord George Graham in seiner Kajute William Hogarth Portrat des Lord George Graham in seiner Kajute c. 1745 Medium oil on canvas Dimensions Deutsch: 71 x 88,9 cm cjr
62150 President Andrew and friends William Hogarth President Andrew and friends mk279 Oil on canvas 47.6 x 58.4cm 1730 years
62127 Presiding Election Series William Hogarth Presiding Election Series mk279 Oil on canvas 101.5 x 127cm 1754 years
62141 Prodigal son in prison William Hogarth Prodigal son in prison mk279 Oil on canvas 62.2 x 75cm 1734 years
62140 Prodigal son in the casino William Hogarth Prodigal son in the casino mk279 Oil on canvas 62 x 75cm 1734 years
62137 Prodigal son in the hostel Rose William Hogarth Prodigal son in the hostel Rose mk279 Oil on canvas 62 x 75cm 1734 years
62142 Prodigal son in the madhouse William Hogarth Prodigal son in the madhouse mk279 Oil on canvas 62.2 x 75cm 1734 years
62138 Prodigal son to court arrest William Hogarth Prodigal son to court arrest mk279 Oil on canvas 62 x 75cm 1734 years
62139 Prodigal son with the old woman to marry William Hogarth Prodigal son with the old woman to marry mk279 Oil on canvas 62 x 75cm 1734 years
62135 Property owned by prodigal William Hogarth Property owned by prodigal mk279 Oil on canvas 62 x 75cm 1734 years
83682 Pug William Hogarth Pug 1745(1745) Medium Oil on canvas Dimensions 90 x 70 cm (35.4 x 27.6 in) (full painting) cyf
62123 Salt Mrs William Hogarth Salt Mrs mk279 Oil on canvas 76.2 x 63.5 1741-1744 year
53845 Scene from Tiggaroperan William Hogarth Scene from Tiggaroperan mk234 1728/29 51x61cm
76468 Self ortrait William Hogarth Self ortrait Date ca. 1757(1757) Medium Oil on canvas Dimensions 45.1 ?? 42.5 cm (17.8 ?? 16.7 in) cyf
2335 Self Portrait at the Easel William Hogarth Self Portrait at the Easel   
33808 Self-Portrait William Hogarth Self-Portrait mk86 1745 Oil on canvas 90.2x69.8cm London,Tate Gallery
74925 Self-portrait William Hogarth Self-portrait Hogarth Painting the Comic Muse Date ca. 1757(1757) Medium Oil on canvas Dimensions 45.1 X 42.5 cm (17.76 X 16.73 in) cjr
74927 Self-portrait William Hogarth Self-portrait Hogarth Painting the Comic Muse Date ca. 1757(1757) Medium Oil on canvas Dimensions 45.1 X 42.5 cm (17.76 X 16.73 in) cjr
78947 Self-portrait William Hogarth Self-portrait . 1757(1757) Medium Oil on canvas Dimensions 45.1 x 42.5 cm (17.8 x 16.7 in) cyf
79738 Self-portrait William Hogarth Self-portrait 1745(1745) Oil on canvas 90 x 70 cm (35.4 x 27.6 in) (full painting) cjr
26922 Self-Portrait with a Pug William Hogarth Self-Portrait with a Pug mk52 1745 Oil on canvas 90x69.9cm Tate Gallery,London
56117 shortly after the marriage William Hogarth shortly after the marriage mk247 1743,oil on canvas,27.5x35.75 in,70x91 cm,national gallery,london,uk
45472 shortly after the wedding William Hogarth shortly after the wedding mk186 1744 London nationally Gallery
2347 Shrimp Girl William Hogarth Shrimp Girl   
75064 Sigismunda Mourning over the Heart of Guiscardo William Hogarth Sigismunda Mourning over the Heart of Guiscardo 1759 Oil on canvas 1004 x 1265 mm cjr
76826 Sigismunda Mourning over the Heart of Guiscardo William Hogarth Sigismunda Mourning over the Heart of Guiscardo Date 1759 Medium Oil on canvas Dimensions 1004 x 1265 mm cyf
62159 Spanish performances William Hogarth Spanish performances mk279 Oil on canvas 80 x 146.7cm 1723 years
62147 Strode family William Hogarth Strode family mk279 Oil on canvas 87 x 91.5 1738 years
97427 Sunshine William Hogarth Sunshine Oil on board, 30.2 x 22.5 cm Date 1851(1851) cyf
62117 The artist and his dog William Hogarth The artist and his dog mk279 Oil on canvas 90 x 69.9cm 1745 years
94396 The Assembly at Wanstead House. Earl Tylney and family in foreground William Hogarth The Assembly at Wanstead House. Earl Tylney and family in foreground Oil on canvas 25 1/2 x 30 inches (64.8 x 76.2 cm) cjr
62128 The auspices of the members of the election campaign William Hogarth The auspices of the members of the election campaign mk279 Oil on canvas 101.5 x 127cm 1754 years
94901 The Bagnio William Hogarth The Bagnio 1743 Type Oil on canvas Dimensions 69.9 cm x 90.8 cm cyf
59387 The Beggar Opera VI William Hogarth The Beggar Opera VI The Beggar's Opera VI, 1731, Tate Britain's version (22.5 x 30 ins.)
2346 The Beggar's Opera William Hogarth The Beggar's Opera 1729 Yale Center for British Art
48446 The Family of George William Hogarth The Family of George mk190 c.1730-33
2340 The Fountaine Family William Hogarth The Fountaine Family 1730 Philadelphia Museum of Art
59388 The Gate of Calais William Hogarth The Gate of Calais The Gate of Calais (also known as, O the Roast Beef of Old England), 1749
50889 The Graham Childen William Hogarth The Graham Childen mk216 Hogarth is often remembered only as a painter of social and political satire and as a vigorous campaigner against social ills
2337 The Graham Children William Hogarth The Graham Children 1742 National Gallery, London
31332 The Graham Children William Hogarth The Graham Children nn07 1742
33807 The Graham Children William Hogarth The Graham Children mk86 1742 Oil on canvas 160.5x181cm London,Tate Gallery
37395 The Graham Children William Hogarth The Graham Children mk125
43288 THe Graham Children William Hogarth THe Graham Children mk170 1742 Oil on canvas 160.5x181cm
52745 The Graham Children William Hogarth The Graham Children mk223 oil on canvas
79216 The Graham Children William Hogarth The Graham Children 1742(1742) Medium Oil on canvas Dimensions 160.5 x 181 cm (63.2 x 71.3 in) cyf
94902 The Inspection William Hogarth The Inspection 1743 Type Oil on canvas Dimensions 69.9 cm x 90.8 cm cyf
94900 The Ladys Death William Hogarth The Ladys Death 1743 Type Oil on canvas Dimensions 69.9 cm x 90.8 cm cyf
45712 The morning reception William Hogarth The morning reception mk186 around 1733 London, Sir John Soane's it museum
91338 The murder of the count William Hogarth The murder of the count Oleo sobre lona Dimensions Deutsch: 68,5 x 89 cm cyf
2344 The Painter and his Pug William Hogarth The Painter and his Pug 1745 Tate Gallery, London
2339 The Pool of Bethesda William Hogarth The Pool of Bethesda 1736 St.Bartholomew's Hospital, London
45464 The Rake-s Progress the orgy William Hogarth The Rake-s Progress the orgy mk186 around 1733 London, Sir John Soane's it museum
33809 The Shrimp Girl William Hogarth The Shrimp Girl mk86 c.1740 Oil on canvas 63.5x52.5cm London,National Gallery
43287 The Shrimp Girl William Hogarth The Shrimp Girl mk170 1740-1745 Oil on canvas 63.5x52.5cm
56603 the shrimp girl William Hogarth the shrimp girl mk248 detta livfulla portratt gjordes inte pa bestallning hogartb beboll deboll det sjalu, det baserades pa ett populart tema, cries of london. en serie tryck med portratt av olika gatuforsaljare. detta ar en snabbt utford skiss i olja, en ovanlig form av portrattmaleri, ,men det ger precis den rstta ogonblicksbilden av ett ansikte sett i forbigaenfe, hogartbs anka visade bilden for besokare med kommentaren. de pastod att ben inte kunde mala bull. vad er detta. om inte blodfullt bull.
89760 The Tete a Tete from the Marriage a la Mode series William Hogarth The Tete a Tete from the Marriage a la Mode series 1743(1743) Medium oil on canvas Dimensions Height: 70 cm (27.6 in). Width: 91 cm (35.8 in). cjr
2342 The Wedding of Stephen Beckingham and Mary Cox William Hogarth The Wedding of Stephen Beckingham and Mary Cox 1729-30 Metropolitan Museum of Art, New York
62170 The woman clutching his heart William Hogarth The woman clutching his heart mk279 Oil on canvas 100.4 x 126.5 1759 years
92715 Theaterauffuhrung der Kinder im Hause des John Conduit William Hogarth Theaterauffuhrung der Kinder im Hause des John Conduit 1731-1732 Medium oil on canvas Dimensions Deutsch: 131 X 146,5 cm cjr
50845 Times of Day William Hogarth Times of Day mk216
62152 Trent Family William Hogarth Trent Family mk279 Oil on canvas 71.8 x 83.8cm 1738 years
62149 Veteran family William Hogarth Veteran family mk279 Oil on canvas 71.8 x 83.8cm 1738 years
90089 Vor dem Tor von Calais William Hogarth Vor dem Tor von Calais 1748(1748) Medium oil on canvas cjr
97623 Wahlzyklus William Hogarth Wahlzyklus 1754-1755 Medium oil on canvas cyf
62119 Wen was the Bishop of Sterling William Hogarth Wen was the Bishop of Sterling mk279 Oil on canvas 127.3 x 101.5cm 1741 years
67581 William Hogarth William Hogarth William Hogarth Title Deutsch: Porträt der Lady Mary Grey und des Lord George Grey Year 1740(1740) Technique Oil on canvas Dimensions 105,5 X 89,5 cm Current location City Art Museum
62129 Women selling shrimp William Hogarth Women selling shrimp mk279 Oil on canvas 63.5 x 52.2cm 1740 years
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William Hogarth
British 1697-1764 William Hogarth Galleries Early satirical works included an Emblematical Print on the South Sea Scheme (c.1721), about the disastrous stock market crash of 1720 known as the South Sea Bubble, in which many English people lost a great deal of money. In the bottom left corner, he shows Protestant, Catholic, and Jewish figures gambling, while in the middle there is a huge machine, like a merry-go-round, which people are boarding. At the top is a goat, written below which is "Who'l Ride" and this shows the stupidity of people in following the crowd in buying stock in The South Sea Company, which spent more time issuing stock than anything else. The people are scattered around the picture with a real sense of disorder, which represented the confusion. The progress of the well dressed people towards the ride in the middle shows how foolish some people could be, which is not entirely their own fault. Other early works include The Lottery (1724); The Mystery of Masonry brought to Light by the Gormogons (1724); A Just View of the British Stage (1724); some book illustrations; and the small print, Masquerades and Operas (1724). The latter is a satire on contemporary follies, such as the masquerades of the Swiss impresario John James Heidegger, the popular Italian opera singers, John Rich's pantomimes at Lincoln's Inn Fields, and the exaggerated popularity of Lord Burlington's prot??g??, the architect and painter William Kent. He continued that theme in 1727, with the Large Masquerade Ticket. In 1726 Hogarth prepared twelve large engravings for Samuel Butler's Hudibras. These he himself valued highly, and are among his best book illustrations. In the following years he turned his attention to the production of small "conversation pieces" (i.e., groups in oil of full-length portraits from 12 to 15 in. high). Among his efforts in oil between 1728 and 1732 were The Fountaine Family (c.1730), The Assembly at Wanstead House, The House of Commons examining Bambridge, and several pictures of the chief actors in John Gay's popular The Beggar's Opera. One of his masterpieces of this period is the depiction of an amateur performance of John Dryden's The Indian Emperor, or The Conquest of Mexico (1732?C1735) at the home of John Conduitt, master of the mint, in St George's Street, Hanover Square. Hogarth's other works in the 1730s include A Midnight Modern Conversation (1733), Southwark Fair (1733), The Sleeping Congregation (1736), Before and After (1736), Scholars at a Lecture (1736), The Company of Undertakers (Consultation of Quacks) (1736), The Distrest Poet (1736), The Four Times of the Day (1738), and Strolling Actresses Dressing in a Barn (1738). He may also have printed Burlington Gate (1731), evoked by Alexander Pope's Epistle to Lord Burlington, and defending Lord Chandos, who is therein satirized. This print gave great offence, and was suppressed (some modern authorities, however, no longer attribute this to Hogarth).
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